The badness jeff lorber fusion
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How did your own relationship with MoonJune come about? Q: ‘Serendipity’ is a word that comes to mind when I hear people’s stories about how they linked up with Leonardo Pavkovic and MoonJune Records. But enough of my banter - on with the show! Like so many of his musical endeavors, this interview enthralls, engulfs and ultimately leaves you hungry for more. Given Michel's extensive-yet-diverse performance resume over the last decade, there was little douBt that what follows would be comparable on the entertainment scale.
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Knowing what articulate, intellectual, yet humble-spirited men both Michel and Dennis are and having thoroughly enjoyed the insightful Q&A of the Dennis Rea interview, I knew that this would provide plenty of interesting tidbits to sink my teeth into, also. Like Frisell & Torn, Delville can play all around an idea and look at it from many different angles." However the approach is all his own and never seems derivative.
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There are hints of Zappa & Holdsworth in his sound, too. ZNR Progressive Music Newsletter had this to say: "Michel Delville's guitar playing seems influenced more by the atmospheric explorations of players like Bill Frisell, David Torn and, certainly, Robert Fripp but his technical ability is never in question. Since taking the reins of, I have listened - on numerous occasions - to the unpredictable musings of Michel Delville. After all, who could possibly be more better suited to conduct such an interview than a fellow guitarist / author / international musician?) As also previously mentioned, having had the privilege and honor of becoming the acquainted with both of these fine gentlemen, I was looking forward to reading both interviews. Since Machine Mass Trio's Michel Delville and Moraine's Dennis Rea are both published authors, accomplished musicians, and brilliant, scholarly individuals, the idea of having them conduct interviews with one another was an innovative twist on the traditional "musician interview". MoonJune's boss Leonardo Pavkovic came up with a truly great concept for marketing the two current newest MoonJune releases - Machine Mass Trio's "As Real As Thinking" (MJR041) and Moraine's "Metamorphic Rock: Live at NEARfest" (MJR040) - by having the band's gifted guitarists interview one another. Interviewed by Dennis Rea (Foreword below by John M.) Highlights: the standards "My Old Flame" (in an 8-minute haunting rendition), "Autumn Leaves" (I know, I know it's a French song, but it became a jazz standard), Clare's own bossa classic "Pensativa," two Jobim's masterpieces ("Once I Loved" and "One Note Samba," the latter co-written by Newton Mendonça, omitted on the credits), and such Delmiro's gems as "Carrousel", "Pro Baden" and the lovely samba "Dois Por Quatro." Essential. Produced by Clare Fischer, engineered by Larry Mah, with cover art by Donna Fischer (Clare's widow) and liner notes by Daniel Cytrynowicz, it's also one of the most underrated albums in Clare's entire discography. The maestro on a Roland digital keyboard (I would have preferred if he had used a Fender Rhodes, I must confess) and the Brazilian virtuoso on an unamplified acoustic guitar. One of my personal favorites is "Symbiosis," a marvelous duo date with Helio Delmiro recorded in the living room of Clare's house in Studio City, California. Clare Fischer & Helio Delmiro: "Symbiosis" (CFP) 1999Īlthough very sad with the passing of my dear friend Clare Fischer, I've been re-listening to all his albums in my collection.